My teascape paintings depict tables set for afternoon tea, where cups, plates, and small arrangements form a quiet, contained world.

Each multi-way painting comprises two or four panels that can be rearranged, so the image circulates through a series of possible forms. Nothing quite begins or ends; each configuration holds, then gives way to another.

You might think of them as toroidal teascape quadriptychs; four-part paintings that fold back on themselves, offering several ways to be seen.